SVEND HAMMERSHØI. ATTRIBUTED. Vase, Herman Kähler, Denmark 20th century, glazed earthenware

SEK 0.00

Signed HAK MADE IN DENMARK.

Height 31 cm.

Condition: Nibbles/defects.

Svend Hammershøi (1873–1948) is widely regarded as the most significant artist associated with Kähler Pottery in Næstved, Denmark. His long tenure at Kähler, combined with his distinctive artistic vision, allowed him to develop an extensive body of work that remains highly characteristic and highly sought after by collectors today.

Hammershøi’s engagement with ceramics began early in life. He trained and worked at Royal Copenhagen from 1891 to 1894 and later at Bing & Grøndahl between 1898 and 1900, gaining valuable experience in both technical execution and artistic design. In 1904, he joined Kähler Pottery, working there until 1907, and then returned in 1911, remaining until his death in 1948. During this period, he produced a remarkable range of ceramic pieces, including vases, decorative objects, and functional wares, often marked by elegant forms, subtle glazes, and an unmistakable Scandinavian aesthetic.

Hammershøi’s style is celebrated for its harmonious combination of simplicity, refinement, and expressive surface decoration. He successfully merged traditional ceramic craftsmanship with innovative design approaches, leaving a lasting influence on Danish ceramics. 

Signed HAK MADE IN DENMARK.

Height 31 cm.

Condition: Nibbles/defects.

Svend Hammershøi (1873–1948) is widely regarded as the most significant artist associated with Kähler Pottery in Næstved, Denmark. His long tenure at Kähler, combined with his distinctive artistic vision, allowed him to develop an extensive body of work that remains highly characteristic and highly sought after by collectors today.

Hammershøi’s engagement with ceramics began early in life. He trained and worked at Royal Copenhagen from 1891 to 1894 and later at Bing & Grøndahl between 1898 and 1900, gaining valuable experience in both technical execution and artistic design. In 1904, he joined Kähler Pottery, working there until 1907, and then returned in 1911, remaining until his death in 1948. During this period, he produced a remarkable range of ceramic pieces, including vases, decorative objects, and functional wares, often marked by elegant forms, subtle glazes, and an unmistakable Scandinavian aesthetic.

Hammershøi’s style is celebrated for its harmonious combination of simplicity, refinement, and expressive surface decoration. He successfully merged traditional ceramic craftsmanship with innovative design approaches, leaving a lasting influence on Danish ceramics. 

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